The Stella Blum Student Research Grant is intended to assist the research of a current undergraduate or graduate student who is a member of the Costume Society of America and conducting original research in the field of North American costume. This $3,000 grant, funded by the CSA Endowment, is awarded annually to provide a student with financial assistance with research (see below for details of allowable and non-allowable expenses). An additional stipend of up to $600 and a day-of-presentation registration fee, also funded by the CSA Endowment, is awarded to allow the recipient to present the completed research at a CSA National Symposium. The recipient is also expected to prepare an article for review and subsequent publication in the CSA journal Dress. (The faculty advisor, when appropriate, may be listed as a second author.)
The grant, first awarded in 1987, is named in honor of Stella Blum (1916-1985), a costume curator, educator, writer, scholar, and founding member and Fellow of the Costume Society of America. Affiliated with the Costume Institute of The Metropolitan Museum of Art since 1940, she became its first curator in 1970, and helped to develop costume as an area of serious study.
Applicants must meet the following eligibility requirements:
Allowable expenses include the following:
Non-allowable expenses include the following:
**Note: If the research proposal involves human subjects and/or interviews, appropriate Institutional Review Board (IRB) approval must be submitted before the initial grant payment is made.**
A complete application must be uploaded as one (1) pdf file under 100 MB using this form and include the following documents in listed order:
Applications will be evaluated on the completed application packet, clarity of Project Proposal, and all supporting documents. See rubric tab for more information.
Each criterion is rated according to the following scale:
5 = outstanding, 4 = excellent, 3 = fair, 2 = poor, 1 = unacceptable
The deadline for applications is June 1, 2025. Applicants will be notified about the results by July 15, 2025. Both the grant recipient and project advisor must sign the Grant Letter of Agreement; when this is received, a check for half the funds will be sent. The recipient will begin the research by September 15, 2025 and complete the project within one year. Upon completion of the project and after receipt of a summary of the research and an expense report, the remainder of the funds will be paid.
The recipient will submit a short report or a or a more comprehensive article for publication in Dress by September 15 following their presentation CSA’s National Symposium. The final report will be co-authored by the awardee and their faculty advisor (with the advisor as second author). The awardee has the option to request that the report be blind, peer-reviewed; alternatively, the report may be published as editor-reviewed only if the awardee desires.
Following the presentation at the National Symposium, reimbursement of up to $600 of expenses to present at the symposium will be paid upon completion of travel and submission of an expense report.
The recipient must publicly acknowledge CSA in all lectures, publications, publicity pertaining to the award.
Contact Committee Chair Talia Spielholz for questions about this grant.
Dyese L. Matthews, Cornell University
Fashioning Memories and Places: Black Women's Style in Harlem 1970-Present
Leigh Danielle Honeycutt Porche, Louisiana State University
Louisiana Cowgirls, Cowboys and Cowthems: Negotiating Gender, Race and Appearance on the Trail
Lynda Xepoleas, Cornell University
Exhibiting Haudenosaunee Dress at the New York State Museum: The Clothing and Textiles of Alice Shongo and Maude Shongo-Hurd
Rebecca Jumper Matheson
American Artisans: William and Elizabeth Phelps and Phelps Associates
Dana Goodin, Iowa State University
Dress and Identity of Comanche Tribal Members in the 20th and 21st Centuries
Molly McPherson, University of Nebraska-Lincoln
The Hand that Plied the Needle: An Examination into the Process of Learning by Making through the Reproduction of Historical Garments
No grant awarded
Gwendolyn Michel, Iowa State University
The Dress and the Diary of Anaïs Nin: 1920-1939
Jennifer Farley Gordon, Iowa State University

Matthew Lee Hale, Indiana University
Cosplay: Creating the Body Fantastic
Matthew Keagle, Bard Graduate Center
Dressing the Diaspora Militant: Loyalist Uniforms and Loyalist Identity in the Revolutionary Atlantic
Chloe Northrop, University of North Texas
Fashioning Creole Women: Caribbean Atlantic Exchanges
No grant awarded
Laura Bellew Hannon
Limiting the Glamour of the Glamour Girls: The War Production Board and Film Costume Restrictions
Katie Knowles
Fashioning Slavery: Slaves and Clothing in the United States South, 1830-1865
Margarete Ordon
Making Sense of Dress Exhibits
Hannah Carlson
Idle Hands and Empty Pockets: Postures of Leisure
Melyssa Wrisley
Theory and Practice in American Dress Reform: Charlotte Perkins Gilman, 1880-1930
Michael J. Murphy
White-Collared: Fashioning Masculinity in American Visual Culture
Tiffany Webber-Hanchett
Dorothy Shaver: Promoter of “The American Look”
Peter La Chapelle
All That Glitters: Country Music, Taste and the Politics of the Rhinestone ‘Nudie’ Suit
Deborah Saville
Freud, Flappers, and Bohemians: The Influence of Modern Psychological Thought on Dress
Dominique Cocuzza
Dress of Quadroon Women in New Orleans, 1770-1840
Colleen R. Gau
Determination of Pulmonary Function and Physiologic Pressures Related to Tight-Lacing of Females and Evaluation of These Effects on Soft Tissues
Robert Schorman
Ready or Not: The Meaning of Clothes in Late 19th-Century America
Sophie K. White
Aspects of Dress in 18th-Century Louisiana
Susan Shifrin
Fitting In: The Constraints of Clothing in the Medical Profession 1850-1910
Camilla Townsend
Bartering Shawls for their Livelihood: The Women’s Clothing Industry in Pre-Industrial Baltimore
Alexandra Palmer
1950s Paris Couture Research
Jeffrey Butterworth
American Women’s Shoes 1750-1950
Diane Hamblin
Development of Early Modern Dance Costume
Merrill Horswill
Save the Silks! Protection for Weighted Silk Costumes
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